Archives for posts with tag: Forza Tappeti: the Rug Revolution

COVER’s readers are invited to the opening tomorrow of Take Off Your Shoes and Open Your Eyes – a collaboration between Alberto Levi Gallery and Idarica Gazzoni (see COVER magazine Summer 2012). Contemporary carpets from Alberto Levi will be displayed in fantasy room settings enhanced by selections from Gazzoni’s Arjumand textile collections. (cont)

Idarica invite

Each designer is inspired by similar source material. Overdyed recycled silk sari hand knotted rugs from the Aquasilk Collection sit alongside Gazzoni’s new collections including the Deco collection based on ivory and black patterns from Japan as well as the geometric abstractions of Emile-Jacques Ruhlmann.

There are two sites to visit, each a short walk from the other. Alberto Levi Gallery at Via San Maurilio 24 and Spazio Arjumand at Via Santa Marta 11, a marvelous Renaissance courtyard. The opening is tomorrow 10.00 to 2000 hours and the exhibition continues until 15th April (1000-1900 hours). To attend tomorrow contact Carola Galliani. carola AT albertolevi DOT com.

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Forza Tappeti: the Rug Revolution, La Pelota, Via Palermo, 10, Milan, Italy. La Pelota is the venue for designjunction’s curated exhibition and Forza Tappeti is located at the entrance. Please visit and say hello!

pelota

Let’s go! Andiamo! Don’t miss COVER magazine’s Forza Tappeti: the Rug Revolution exhibition at the entrance to designjunction’s EDIT at La Pelota during the Salone Internazionale del Mobile di Milano. A selection of the designers featured in Forza Tappeti include Christopher Farr and CC-Tapis plus:

Shimmering Spring by Zollanvari

Shimmering Spring by Zollanvari

Tissage

Grace by Tissage

Alasht

Alasht by Edelgrund

Fish Scales by Deirdre Dyson

Fish Scales by Deirdre Dyson

Modernist architect, designer, artist, and publisher Giò Ponti described his typology of the “ancient Italian-style home” as domus, a habitat where outside/inside boundaries were mutable or immaterial and surface treatments were considered. To celebrate their compatriot and personaggi famosi di milanese and his love of surfaces, Milan-based CC-Tapis have designed the “Avant Garde” rug collection which includes Hello Giò, Diamond and Lost in the Fifties. (cont)

CC TAPIS Hello Giò

CC Tapis, Hello Giò, Himalyan wool and silk hand knotted rug

Ponti’s love of surface treatments is exemplified in Hotel Parco dei Principi. The field of blue and white surfaces inside and out echo what Ponti saw on arrival; blue heat, blue sky, blue sea, and the “blue volcano” Vesuvius. He declared the 100 guest rooms would each have a different floor pattern. Public areas are similarly tiled and augmented with walls of tactile ceramicised pebbles and various sized quadrilateral ceramic “plates” by his friend Fausto Melotti. The tiled repetitions in Hello Giò (above) are a distinctive but familiar homage to Ponti’s Principi legacy.

Ponti’s theory of “finite form” influenced all his work and was signified by his continuous employment of the diamond or lozenge shape, similar to CC-Tapis’ Diamond rug below. (cont)

CC-Tapis, Diamond rug

CC-Tapis, Diamond, Himalyan wool and silk hand knotted rug

On the fiftieth anniversary of Hotel Parco de Principi in 2012, Domus magazine (founded by Ponti) declared Hotel Principi captures “un momento glorioso del design italiano degli anni ’50.” It does. And so too CC-Tapis’ designs in honour of Ponti remind us that Italian design has been “glorioso” for millenia. Long may it continue. DJ

CC-Tapis, Lost in the Fifties rug

CC-Tapis, Lost in the Fifties Himalyan wool and silk hand knotted rug

CC-Tapis, Lost in the Fifties rug, finishing details in workshop

CC-Tapis, Lost in the Fifties, Himalyan wool and silk hand knotted rug, hand finishing detail in workshop

Vitruvius disliked unreality. The ancient Roman architect, engineer and town planner promoted firmitas, utilitas, venustas – solid, useful, beautiful architecture. And the decorative arts, he argued, must follow realism. In his seventh book Vitruvius rails against the stage designs of Apaturius which displayed what Vitruvius saw as illogical architecture. Fantasy was forbidden. No vine tendrils acting as columns to hold up a roof. Be real or begone, Vitruvius might have said. Instead what he actually wrote was “such things do not exist, and cannot exist and never will exist”. (cont)

Trompe-l'oeil geometric floor, House of the Faun, Pompeii, 1st c BCE

Trompe-l’oeil geometric floor, House of the Faun, Pompeii, 1st c CE

But Vitruvius might make an exception for the now famous trompe l’oeil 3D representation floor from “House of the Faun” at Pompeii. Or he would if he’d known about the fluid mechanics of volcanic activity. Although the House of the Faun mosaic floor is a flat surface with three-dimensional aspirations, the geometric blocks have geologic precedents.

The coastline field of upright basalt columns known as the Giant’s Causeway in Ireland was formed some sixty million years ago when volcanic activity forced molten rock upwards through chalk bed fissures. The lava cooled at varying rates to form a field of polygonal basalt pillars (mainly hexagonal plus five and four sided). Knowing this, Vitruvius might agree the House of the Faun floor is a rendition of reality for the “giants” who roamed the causeway and “saw” the same view beneath their fictional feet that pre-AD 79 Pomeiians enjoyed when they walked through the House of the Faun.

Fancy your own Pompeiian floor or Giant’s Causeway? CC-Tapis in Milan designed Infini Stucco, a beautiful and elegant hand woven rug and contemporary echo of the House of the Faun mosaic. (cont)

CC Tapis Infini Stucco, Himalayan wool and silk

CC Tapis Infini Stucco, Himalayan wool and silk

If you are in Milan next week for the Salone Internazionale del Mobile please visit the COVER stand at the entrance to La Pelota where CC-Tapis are one of our guest exhibitors. But if you want to see Infini Stucco then take a ten minute walk to the CC-Tapis showroom on via San Simpliciano n. 6. where you will discover they follow the ancient Roman credo remis velisque – “giving one’s best”. DJ

CC Tapis

CC Tapis Infini Stucco