Archives for posts with tag: Art Deco

COVER’s readers are invited to the opening tomorrow of Take Off Your Shoes and Open Your Eyes – a collaboration between Alberto Levi Gallery and Idarica Gazzoni (see COVER magazine Summer 2012). Contemporary carpets from Alberto Levi will be displayed in fantasy room settings enhanced by selections from Gazzoni’s Arjumand textile collections. (cont)

Idarica invite

Each designer is inspired by similar source material. Overdyed recycled silk sari hand knotted rugs from the Aquasilk Collection sit alongside Gazzoni’s new collections including the Deco collection based on ivory and black patterns from Japan as well as the geometric abstractions of Emile-Jacques Ruhlmann.

There are two sites to visit, each a short walk from the other. Alberto Levi Gallery at Via San Maurilio 24 and Spazio Arjumand at Via Santa Marta 11, a marvelous Renaissance courtyard. The opening is tomorrow 10.00 to 2000 hours and the exhibition continues until 15th April (1000-1900 hours). To attend tomorrow contact Carola Galliani. carola AT albertolevi DOT com.

Apartment Therapy asked their readers the interior design $64,000 Question (inflation adjusted maybe half a million): What do you think is the next big thing? While your scribe hankers for Edgaroso’s “trilobites and burlap”, more realistically your scribe has selected Netta as the winning prognosticator. She called it for Art Deco inspired interior design. Others did too, but Netta was the only one who divined a mix of 1920s series 3 of Downton Abbey, and the forthcoming Baz Lurhmann film The Great Gatsby. Underscoring this trend prediction is Designer Rugs‘ new Catherine Martin Deco Collection which feature in Lurhmann’s film.

Black Pearl rug by Catherine Martin

Black Pearl rug by Catherine Martin for Designer Rugs

The winner of multiple awards (Oscars, BAFTA, Tonys etc) for set design, art direction, costume design (as well as being married to Lurhmann), Martin’s new collection features four designs hand knotted from Tibetan wool and silk. She told Vogue Living hand-knotting allows her to create “more intricate designs with gentle carving and a thinner profile.”


Garden Party by Catherine Martin for Designer Rugs

Westchester (below) is in the scenes of Gatsby’s bedroom (played by Leonardo diCaprio), and was bought for the actor as a birthday present.


Westchester by Catherine Martin for Designer Rugs

But a word of warning to exuberant Gatsby and Daisy wannabes (or Downton Abbey fans who fancy they have a fleet of servants waiting in the wings) who may be tempted to reckless acts with Martin’s exquisite rug collection. As The Great Gatsby races to its tragic dénouement, the gang attempts to flee New York’s insufferable heat by checking into The Plaza Hotel. Daisy reveals the truth of her love, and as she fumbles with her words she flings her cigarette and burning match onto the hotel carpet. “Oh, you want too much!” she cries to Gatsby. But all your scribe can think is “what about the carpet!” DJ

Not far from the Olympic Stadium, in an area at several removes from the famous museums of central London, is The Geffrye Museum. Housed in a terraced row of 18th century almshouses with a shady green as buffer to the busy main road, this small museum is devoted to “English domestic interiors” and the furniture and interior manufacturers that used to dot this area.

To celebrate the Olympics, the Geffrye’s small exhibition “At Home with The World”, demonstrates objects we may regard as “English” quite often have their origin in other countries.

Known as “art decorators” for the home, Waring & Gillow’s output included “Carpets of Quality”. The label for the small W&G hand knotted wool rug in the Geffrye exhibition is brief.

What isn’t mentioned is the immense build up to the 1931 Colonial Exposition in Paris, a major public display of the goods, peoples and architecture found in France’s colonies (including several in Africa). The exposition was the culmination of multiple decades promotion by the French government of its colonial empire, and demonstrated the origins of many of the design motifs presented in the influential 1925 Paris International Exposition of Modern Industrial and Decorative Arts. (Worth noting the term “Art Deco” is relatively recent. During the time in question the style was called “Art Moderne.”)

It’s reasonable to assume Serge Chermayeff and French designer Paul Follot who jointly headed the Modern Art Studio of Waring & Gillow’s department store at 164-180 Oxford Street in central London, were more than familiar with the influence of African art on western artists and designers, with famous case in point Pablo Picasso. DJ